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1983 James Bond film directed by Irvin Kershner

Never Say Never Again
A poster at the top of which are the words "SEAN CONNERY as JAMES BOND in". Below this is a head and shoulders image of man in a dinner suit. Inset either side of him, are smaller scale depictions of two women, one blonde and one brunette. Underneath the picture are the words "NEVER SAY NEVER AGAIN"

British movie house affiche by Renato Casaro
Directed by Irvin Kershner
Screenplay by Lorenzo Semple Jr.
Story by
  • Kevin McClory
  • Jack Whittingham
  • Ian Fleming
Based on Thunderball
by Ian Fleming
Produced past Jack Schwartzman
Starring
  • Sean Connery
  • Klaus Maria Brandauer
  • Max von Sydow
  • Barbara Carrera
  • Kim Basinger
  • Bernie Casey
  • Alec McCowen
  • Edward Fox
Cinematography Douglas Slocombe
Edited by Ian Crafford
Music by Michel Legrand

Product
company

Taliafilm
Distributed past
  • Warner Bros. (U.South.)
  • Columbia-EMI-Warner Distributors (U.K.)[ane]

Release dates
  • 7 October 1983 (1983-10-07) (U.S.)
  • 15 Dec 1983 (1983-12-xv) (U.K.)

Running time

 134 minutes
Countries
  • United Kingdom
  • United States
Language English
Budget $36 million
Box office $160 million[ii]

Never Say Never Over again is a 1983 spy picture directed by Irvin Kershner. The flick is based on the 1961 James Bond novel Thunderball by Ian Fleming, which in plow was based on an original story by Kevin McClory, Jack Whittingham, and Fleming. The novel had been previously adapted in a 1965 film of the same name. Never Say Never Once again was non produced by Eon Productions, but by Jack Schwartzman'due south Taliafilm. The motion-picture show was executive produced by Kevin McClory, one of the original writers of the Thunderball storyline. McClory retained the filming rights of the novel post-obit a long legal boxing dating from the 1960s.

Sean Connery played the office of Bail for the 7th and final time, mark his return to the character 12 years after Diamonds Are Forever. The film'south championship is a reference to Connery's reported declaration in 1971 that he would "never" play that function over again. Equally Connery was 52 at the time of filming, although nearly 3 years younger than incumbent Bond Roger Moore, the storyline features an aging Bond who is brought back into action to investigate the theft of 2 nuclear weapons by SPECTRE. Filming locations included French republic, Espana, the Bahama islands and Elstree Studios in the United kingdom of great britain and northern ireland.

Never Say Never Again was released past Warner Bros. on vii October 1983, and opened to positive reviews, with the acting of Connery and Klaus Maria Brandauer singled out for praise as more emotionally resonant than the typical Bond films of the solar day. The film was a commercial success, grossing $160 million at the box office, although less overall than the Eon-produced Octopussy, released before the same year.

Plot [edit]

After MI6 agent James Bond, 007, fails a routine training exercise, his superior, M, orders Bail to a wellness clinic outside London to get back into shape. While there, Bail witnesses a mysterious nurse named Fatima Chroma giving a sadomasochistic beating to a patient in a nearby room. The man's face up is bandaged and after Chroma finishes her beating, Bond sees the patient using a machine which scans his eye. Bond is seen by Blush, who sends an assassinator, Lippe, to impale him in the clinic gym, simply Bond manages to kill Lippe.

Chroma and her charge, a heroin-fond United States Air Force pilot named Jack Petachi, are operatives of SPECTRE, a criminal organisation run past Ernst Stavro Blofeld. Petachi has undergone an operation on his right eye to make it friction match the retinal pattern of the United states President, which he uses to circumvent iris recognition security at RAF Station Swadley, an American military machine base in England. While doing and so, he replaces the dummy warheads of two AGM-86B cruise missiles with alive nuclear warheads; SPECTRE and then steals the warheads, intending to extort billions of dollars from NATO governments. Chroma murders Petachi by causing his car to crash and explode, covering SPECTRE's tracks.

Foreign Secretary Lord Ambrose orders a reluctant M to reactivate the double-0 section, and Bond is tasked with tracking downwardly the missing weapons. Bail follows a atomic number 82 to the Bahama islands where he meets Domino Petachi, the pilot's sister, and her wealthy lover Maximillian Largo, who is SPECTRE'southward summit agent.

Bond is informed past Nigel Pocket-sized-Fawcett of the British High Commission that Largo's yacht is at present heading for Dainty, France. There, Bond joins forces with his French contact Nicole, and his CIA counterpart and friend, Felix Leiter. Bond goes to a health and beauty eye where he poses as an employee and, while giving Domino a massage, is informed by her that Largo is hosting an result at a casino that evening. At the charity event, Largo and Bond play a 3-D video game chosen Domination; the losing player of each plow receives a serial of electric shocks of increasing intensity in proportion to the amount wagered. After losing a few games, Bond ultimately wins, and while dancing with Domino, he informs her that her blood brother had been killed on Largo's orders. Bond returns to his villa to detect Nicole killed by Blush. After a vehicle chase on his Q-branch motorbike, Bond finds himself in an ambush and is eventually captured by Blush. She admits that she is impressed with him, and forces Bond to declare in writing that she is his "Number I" sexual partner. Bail distracts her with promises, then uses his Q-branch-upshot fountain pen gun to kill Blush with an explosive dart.

Bond and Leiter endeavour to lath Largo'south motor yacht, the Flying Saucer, in search of the missing nuclear warheads. Bail finds Domino. He attempts to make Largo jealous by kissing Domino in front of a 2-way mirror. Largo becomes enraged, traps Bond and takes him and Domino to Palmyra, Largo'due south base in North Africa. Largo coldly punishes Domino for her expose past selling her to some passing Arabs. Bond subsequently escapes from his prison and rescues her.

Domino and Bond reunite with Leiter on a U.S. Navy submarine. After the outset warhead is found and defused in Washington, D.C., they track Largo to a location known as the Tears of Allah, below a desert oasis on the Ethiopian coast. Bail and Leiter infiltrate the surreptitious facility and a gun boxing erupts betwixt Leiter's team and Largo's men in the temple. In the confusion, Largo makes a getaway with the second warhead. Bond catches and fights Largo underwater. Just every bit Largo tries to apply a spear gun to shoot Bond, he is shot with a spear gun past Domino, taking revenge for her blood brother's expiry. Bond so defuses the nuclear bomb underwater, saving the earth. Bond retires from duty and returns to the Bahamas with Domino, vowing never again to exist a underground amanuensis.

Cast [edit]

  • Sean Connery as James Bond, MI6 agent 007.
  • Klaus Maria Brandauer equally Maximillian Largo, a billionaire businessman and SPECTRE Number 1, SPECTRE'south senior-most agent. He is based on the character Emilio Largo in Thunderball
  • Max von Sydow as Ernst Stavro Blofeld, the head of SPECTRE.
  • Barbara Carrera as Fatima Blush; SPECTRE Number 12, assigned to hunt down and kill Bond. She is based on Fiona Volpe in Thunderball.
  • Kim Basinger every bit Domino Petachi, sister of Jack Petachi and girlfriend/mistress of Maximillian Largo. The surname was changed to Petrescu for the Italian release of the film.
  • Bernie Casey as Felix Leiter, Bond's CIA contact and friend.
  • Alec McCowen every bit "Q" Algy (Algernon), Double-0 section Quartermaster who bug specialised equipment to Bond.
  • Edward Fox as "M", Bail's superior at MI6.
  • Pamela Salem every bit Miss Moneypenny, M'southward secretary.
  • Rowan Atkinson as Nigel Small-Fawcett, Foreign Office representative in the Bahamas.
  • Valerie Leon every bit Lady in Bahama islands, whom Bond seduces.
  • Milow Kirek as Dr. Kovacs, a nuclear physicist working for SPECTRE.
  • Pat Roach as Lippe, a SPECTRE assassin who tries to kill Bond at the dispensary.
  • Anthony Sharp every bit Lord Ambrose, Foreign Secretary who orders One thousand to reactivate the Double-0 section.
  • Prunella Gee as Nurse Patricia Fearing, a physiotherapist at the clinic.
  • Gavan O'Herlihy as Helm Jack Petachi, a USAF pilot used by SPECTRE to steal the nuclear missiles, and Domino Petachi's brother.

Product [edit]

Never Say Never Over again had its origins in the early on 1960s, post-obit the controversy over the 1961 Thunderball novel.[three] Fleming had worked with independent producer Kevin McClory and scriptwriter Jack Whittingham on a script for a potential Bond motion picture, to be chosen Longitude 78 W,[iv] which was subsequently abandoned because of the costs involved.[5] Fleming, "e'er reluctant to let a practiced thought lie idle",[five] turned this into the novel Thunderball, for which he did not credit either McClory or Whittingham;[half dozen] McClory then took Fleming to the High Court in London for breach of copyright[seven] and the matter was settled in 1963.[iv] After Eon Productions started producing the Bond films, it subsequently made a bargain with McClory, who would produce Thunderball, so not brand any further version of the novel for a period of ten years following the release of the Eon-produced version in 1965.[8]

In the mid-1970s McClory once more started working on a project to bring a Thunderball accommodation to production and, with the working title Warhead, he brought author Len Deighton together with Sean Connery to work on a script.[9] A lawsuit with Eon Productions ended in a ruling that McClory owned the sole rights to SPECTRE and Blofeld, forcing Eon to remove them from The Spy Who Loved Me (1977).[10] The script initially focused on SPECTRE shooting downwards airplanes over the Bermuda Triangle earlier taking over Liberty Island and Ellis Island equally staging areas for an invasion of New York City through the sewers nether Wall Street. The script was purchased by Paramount Pictures in 1978.[10] The script ran into difficulties after accusations from Danjaq and United Artists that the projection had gone beyond copyright restrictions, which confined McClory to a film based but on the novel Thunderball, and once over again the project was deferred.[8]

Towards the end of the 1970s developments were reported on the projection nether the name James Bond of the Secret Service,[viii] merely when producer Jack Schwartzman became involved in 1980 and cleared a number of the legal bug that still surrounded the projection[x] [3] he decided against using Deighton's script. The project returned to the original nuclear terrorism plot of the original Thunderball in club to avoid another lawsuit from Danjaq and after McClory saw Jimmy Carter mention the issue in a 1980 presidential debate with Ronald Reagan.[11] Schwartzman brought on board scriptwriter Lorenzo Semple, Jr.[12] to work on the screenplay, who Schwartzman wanted to make the screenplay "somewhere in the centre" between his campier projects such as Batman and his more serious projects such as Three Days of the Condor.[10] Connery was unhappy with some aspects of the work and asked Tom Mankiewicz, who had rewritten Diamonds Are Forever, to work on the script; however, Mankiewicz declined as he felt he was under a moral obligation to Eon's Albert R. Broccoli.[thirteen] Semple Jr. ultimately left the projection later on Irvin Kershner was hired every bit director and Schwartzman began cutting out the "large numbers" from his script to relieve on the budget.[10] Connery and then hired British television writers Dick Clement and Ian La Frenais[11] to undertake re-writes, although they went uncredited for their efforts despite much of the final shooting script being theirs. This was because of a restriction by the Writers Guild of America.[14] Cloudless and La Frenais connected rewriting during the production, often altering information technology from day to solar day.[x]

The film underwent one final change in title: later on Connery had finished filming Diamonds Are Forever he had pledged that he would "never" play Bond again.[9] Connery's wife, Micheline, suggested the title Never Say Never Over again, referring to her husband'south vow[15] and the producers best-selling her contribution by listing on the end credits "Championship Never Say Never Again past Micheline Connery". A final attempt by Fleming's trustees to block the film was made in the High Court in London in the bound of 1983, but this was thrown out by the court and Never Say Never Again was permitted to proceed.[16]

Cast and crew [edit]

When producer Kevin McClory had start planned the film in 1964, he held initial talks with Richard Burton for the part of Bond,[17] although the project came to zippo because of the legal issues involved. When the Warhead project was launched in the late 1970s, a number of actors were mentioned in the merchandise printing, including Orson Welles for the part of Blofeld, Trevor Howard to play Yard and Richard Attenborough as director.[ix]

In 1978, the working title James Bond of the Secret Service was being used and Connery was in the frame in one case once more, potentially going head-to-head with the next Eon Bail film, Moonraker.[xviii] By 1980, with legal issues again causing the projection to founder,[nineteen] Connery thought himself unlikely to play the part, as he stated in an interview in the Lord's day Limited: "When I start worked on the script with Len I had no thought of actually being in the film."[20] When producer Jack Schwartzman became involved, he asked Connery to play Bail; Connery agreed, negotiating a fee of $3 one thousand thousand ($8 one thousand thousand in 2021 dollars[21]), casting and script approval, and a percentage of the profits.[22] Subsequent to Connery reprising the office, Semple altered the script to include several references to Bond's advancing years – playing on Connery existence 52 at the fourth dimension of filming[22] – and bookish Jeremy Black has pointed out that there are other aspects of age and disillusionment in the film, such equally the Shrubland'due south porter referring to Bail's car ("They don't make them like that anymore"), the new M having no use for the 00 section and Q with his reduced budgets.[23] Originally Semple wanted to emphasize Bond's historic period even further, writing the script to include him in semi-retirement working aboard a Scottish fishing trawler hunting Soviet Navy submarines in the Due north Sea.[x] Connery's casting was formally announced in March 1983. He trained with Steven Seagal to help become in shape for the production.[10]

For the primary villain in the film, Maximillian Largo, Connery suggested Klaus Maria Brandauer, the atomic number 82 of the 1981 Academy Award-winning Hungarian film Mephisto.[24] Through the aforementioned route came Max von Sydow as Ernst Stavro Blofeld,[25] although he still retained his Eon-originated white cat in the movie.[26] For the femme fatale, director Irvin Kershner selected former model and Playboy cover girl Barbara Carrera to play Fatima Blush – the name coming from ane of the early scripts of Thunderball.[14] Carrera said she modeled her performance on the Hindu goddess Kali, and to "mix that in with a footling fleck of black widow and a picayune chip of praying mantis."[10] Carrera's performance as Fatima Chroma earned her a Golden World Award nomination for Best Supporting Actress,[27] which she lost to Cher for her role in Silkwood.[28] Micheline Connery, Sean's wife, had met up-and-coming actress Kim Basinger at the Grosvenor House Hotel in London and suggested her to Connery, and he agreed after Dalila Di Lazzaro refused the Domino role. For the part of Felix Leiter, Connery spoke with Bernie Casey, saying that as the Leiter role was never remembered by audiences, using a black Leiter might brand him more memorable.[24] Others cast included comedian Rowan Atkinson, who would afterward parody Bond in his office of Johnny English language in 2003.[29] Atkinson's character was added by Clement and La Frenais later on the production had already started in order to provide the film with a comic relief.[10] Edward Play a joke on was cast as 1000 in guild to portray the character as a young technocrat in contrast to the older portrayal by Bernard Lee, and to parody the Thatcher ministry'southward budget cuts to regime services.[10]

Connery wanted to convince Richard Donner to direct the picture, simply after meeting Donner decided he disliked the script.[x] Former Eon Productions' editor and manager of On Her Majesty's Hole-and-corner Service, Peter R. Hunt, was approached to direct the film but declined due to his previous work with Eon.[30] Irvin Kershner, who had previously worked with Connery on A Fine Madness (1966), and had achieved success in 1980 with The Empire Strikes Back was then hired. A number of the crew from the 1981 motion picture Raiders of the Lost Ark were as well appointed, including first banana managing director David Tomblin, manager of photography Douglas Slocombe, 2d unit of measurement director Mickey Moore and production designers Philip Harrison and Stephen Grimes.[24] [31]

Filming [edit]

A large, sleek ship is moored at a quayside

The Kingdom 5KR which acted as Largo'southward ship, the Flying Saucer

Filming for Never Say Never Once more began on 27 September 1982 on the French Riviera for ii months[14] earlier moving to Nassau, the Bahama islands in mid-Nov[12] where filming took place at Clifton Pier, which was also i of the locations used in Thunderball.[32] Largo's Palmyran fortress was actually celebrated Fort Carré in Antibes.[33] Largo'southward send, the Flying Saucer, was portrayed past the yacht Kingdom 5KR, then owned by Saudi billionaire Adnan Khashoggi and called the Nabila.[34] The underwater scenes were filmed by Ricou Browning, who had coordinated the underwater scenes in the original Thunderball.[x] Principal photography finished at Elstree Studios where interior shots were filmed.[32] Elstree also housed the Tears of Allah underwater cavern, which took three months to construct, while the Shrublands health spa was filmed at Luton Hoo.[32] [10] Most of the filming was completed in the spring of 1983, although there was some additional shooting during the summer of 1983.[12]

Production on the film was troubled,[35] with Connery taking on many of the product duties with assistant director David Tomblin.[32] Managing director Irvin Kershner was critical of producer Jack Schwartzman, proverb that, while he was a expert businessman, "he didn't take the experience of a moving-picture show producer".[32] Later on the production ran out of coin, Schwartzman had to fund further production out of his own pocket and later admitted he had underestimated the amount the film would cost to brand.[35] At that place was tension on set between Schwartzman and Connery, who at times barely spoke to each other. Connery was unimpressed with the perceived lack of professionalism backside the scenes and was on record as saying that the whole production was a "bloody Mickey Mouse operation!"[36]

Steven Seagal, who was a martial arts teacher for this pic, broke Connery's wrist while grooming. On an episode of The Tonight Show with Jay Leno, Connery revealed he did non know his wrist was broken until over a decade afterwards.[37]

Music [edit]

James Horner was both Kershner'south and Schwartzman'southward first choice to etch the score subsequently existence impressed with his piece of work on Star Trek Ii: The Wrath of Khan. Horner, who worked in London for well-nigh of the time, wound up unavailable according to Kershner, though Schwartzman later claimed Sean Connery vetoed the American. Frequent Bond composer John Barry was invited, but declined out of loyalty to Eon.[38] The music for Never Say Never Once again was written past Michel Legrand, who composed a score similar to his work as a jazz pianist.[39] The score has been criticised equally "anachronistic and misjudged",[32] "bizarrely intermittent"[31] and "the near disappointing feature of the film".[24] Legrand also wrote the main theme "Never Say Never Again", which featured lyrics by Alan and Marilyn Bergman — who had too worked with Legrand on the Academy Award-winning song "The Windmills of Your Mind"[40] — and was performed by Lani Hall[24] afterward Bonnie Tyler, who disliked the song, had reluctantly declined.[41]

Phyllis Hyman also recorded a potential theme song, written by Stephen Forsyth and Jim Ryan, but the song — an unsolicited submission — was passed over, given Legrand'southward contractual obligations with the music.[42]

Legal substitutions [edit]

The outlines of row upon row of "007 007 007 007 007" fill the screen. A view of countryside, heavily obstructed can be seen in through the gaps.

Many of the elements of the Eon-produced Bond films were not nowadays in Never Say Never Again for legal reasons. These included the gun barrel sequence, where a screen full of 007 symbols appeared instead, and similarly there was no "James Bond Theme" to use, although no attempt was made to supply another tune.[12] A pre-credits sequence was filmed but not used;[43] instead the picture opens with the credits run over the top of the opening sequence of Bond on a training mission.[32]

Release and reception [edit]

Never Say Never Again opened on 7 October 1983 in 1,550 theatres grossing an October record $10,958,157 over the 4-day Columbus Day weekend[two] which was reported to be "the best opening record of any James Bond pic" up to that indicate[44] surpassing Octopussy 's $8.ix million from June that year. The film had its UK premiere at the Warner Westward End cinema in Leicester Foursquare on xiv December 1983.[32] Worldwide, Never Say Never Again grossed $160 million,[45] which was a solid return on the budget of $36 million.[45] The film ultimately earned less than Octopussy which grossed $187.5 million.[46] [47] It was the first James Bond picture to exist officially released in the Soviet Union, premiering in the summer of 1990 with a gala in Moscow.[48]

Warner Bros. released Never Say Never Over again on VHS and Betamax in 1984,[49] and on laserdisc in 1995.[50] After Metro-Goldwyn-Mayer purchased the distribution rights in 1997 (see Legacy, below), the company has released the film on both VHS and DVD in 2001,[51] and on Blu-ray in 2009.[52]

Contemporary reviews [edit]

Never Say Never Once again was broadly welcomed and praised past the critics: Ian Christie, writing in the Daily Limited, said that Never Say Never Again was "one of the meliorate Bonds",[53] finding the film "superbly witty and entertaining, ... the dialogue is crisp and the fight scenes imaginative".[53] Christie also thought that "Connery has lost none of his charm and, if annihilation, is more appealing than e'er every bit the stylish resolute hero".[53] David Robinson, writing in The Times likewise concentrated on Connery, maxim that: "Connery ... is dorsum, looking hardly a twenty-four hour period older or thicker, and withal outclassing every other exponent of the role, in the goodnatured throwaway with which he parries all the sex and violence on the fashion".[54] For Robinson, the presence of Connery and Klaus Maria Brandauer as Maximillian Largo "very nearly make it all worthwhile."[54] The reviewer for Fourth dimension Out summed upward Never Say Never Again proverb "The activity's good, the photography excellent, the sets decent; but the real clincher is the fact that Bond is once more played by a man with the right stuff."[55]

Derek Malcolm in The Guardian showed himself to be a fan of Connery's Bond, saying the picture show contains "the best Bond in the concern",[56] but nevertheless did non find Never Say Never Over again whatever more enjoyable than the recently released Octopussy (starring Roger Moore), or "that either of them came very nigh to matching Dr. No or From Russia with Love".[56] Malcolm's principal result with the film was that he had a "feeling that a constant struggle was going on betwixt a desire to brand a huge box-function success and the attempt to brand character equally important as stunts".[56] Malcolm summed up that "the mix remains obstinately the same – up to scratch but not surpassing it".[56] Writing in The Observer, Philip French noted that "this curiously muted pic ends upward making no contribution of its own and inviting damaging comparisons with the original, hyper-confident Thunderball".[57] French concluded that "similar an hour-glass full of damp sand, the movie moves with increasing slowness as it approaches a dislocated climax in the Farsi Gulf".[57]

Writing for Newsweek, critic Jack Kroll thought the early on office of the film was handled "with wit and style",[58] although he went on to say that the director was "hamstrung by Lorenzo Semple'due south script".[58] Richard Schickel, writing in Time magazine praised the movie and its cast. He wrote that Klaus Maria Brandauer'southward character was "played with silky, neurotic charm",[59] while Barbara Carrera, playing Fatima Chroma, "deftly parodies all the fatal femmes who have slithered through Bail'due south career".[59] Schickel's highest praise was saved for the return of Connery, observing "it is practiced to see Connery's grave stylishness in this role again. Information technology makes Bail's pessimism and opportunism seem the product of genuine worldliness (and earth weariness) as opposed to Roger Moore'southward mere twirpishness."[59]

Janet Maslin, writing in The New York Times, was broadly praising of the motion picture, saying she idea that Never Say Never Again "has noticeably more humor and character than the Bond films usually provide. It has a marvelous villain in Largo."[threescore] Maslin likewise idea highly of Connery in the function, observing that "in Never Say Never Again, the formula is broadened to adjust an older, seasoned man of much greater stature, and Mr. Connery expertly fills the bill."[60] Writing in The Washington Post, Gary Arnold was fulsome in his praise, maxim that Never Say Never Again is "one of the best James Bond adventure thrillers ever made",[61] going on to say that "this picture is likely to remain a cherished, savory example of commercial filmmaking at its most astute and accomplished."[61] Arnold went farther, saying that "Never Say Never Again is the best acted Bond picture ever made, because it clearly surpasses any predecessors in the area of inventive and clever character depiction".[61]

The critic for The Globe and Mail service, Jay Scott, too praised the motion-picture show, maxim that Never Say Never Once more "may be the only instalment of the long-running serial that has been helmed by a start-rate director."[62] According to Scott, the manager, with high-quality support cast, resulted in the "classiest of all the Bonds".[62] Roger Ebert gave the picture 3½ out of 4 stars, and wrote that Never Say Never Again, while consisting of a basic "Bail plot", was dissimilar from other Bond films: "For one thing, there'due south more of a human being element in the movie, and it comes from Klaus Maria Brandauer, as Largo."[63] Ebert went on to add, "in that location was never a Beatles reunion ... simply hither, by God, is Sean Connery every bit Sir James Bond. Good work, 007."[63] Gene Siskel of The Chicago Tribune also gave the film 3½ out of 4 stars, writing that the movie was "i of the best 007 adventures ever made".[64]

Colin Greenland reviewed Never Say Never Again for Imagine magazine, and stated that "Never Say Never Again is a complacent male sexist fantasy, where women tin can be only femmes fatales or passive victims."[65]

Retrospective reviews [edit]

Because Never Say Never Again is non an Eon-produced picture show, it has non been included in a number of subsequent reviews. Norman Wilner of MSN said that 1967'due south Casino Royale and Never Say Never Once again "exist outside the 'official' continuity, [and] are excluded from this list, just as they're absent from MGM's megabox. Simply take my word for it; they're both pretty awful".[66] Retrospective reviews of the film remain positive. Rotten Tomatoes sampled 53 critics and judged seventy% of the reviews equally positive, with an boilerplate rating of 5.60/10. The site's critical consensus reads: "While the rehashed story feels rather uninspired and unnecessary, the return of both Sean Connery and a more understated Bond make Never Say Never Once more a watchable retread."[67] The score is still more positive than some of the Eon films, with Rotten Tomatoes ranking Never Say Never Again 16th among all Bail films in 2008.[68] On Metacritic, the film has a weighted average score of 68 out of 100 based on 15 critics, indicating generally favourable reviews.[69] Empire gives the film three of a possible v stars, observing that "Connery was peradventure wise to phone call it quits the first fourth dimension round".[lxx] IGN gave Never Say Never Again a score of five out of 10, claiming that the pic "is more than miss than hit".[71] The review likewise idea that the flick was "marred with besides many clunky exposition scenes and not plenty moments of Bond being Bond".[71]

In 1995 Michael Sauter of Entertainment Weekly rated Never Say Never Again as the ninth best Bond pic to that point, afterward 17 films had been released. Sauter idea the film "is successful only as a portrait of an over-the-hill superhero." He admitted that "even past his prime, Connery proves that nobody does it meliorate".[72] James Berardinelli, in his review of Never Say Never Again, thinks the re-writing of the Thunderball story has led to a film which has "a hokey, jokey feel, [it] is possibly the worst-written Bond script of all".[73] Berardinelli concludes that "it'southward a major disappointment that, having lured back the original 007, the moving-picture show makers couldn't offer him something better than this drawn-out, hackneyed story."[73] Critic Danny Peary wrote that "information technology was great to see Sean Connery return equally James Bond after a dozen years".[74] He too thought the supporting cast was expert, saying that Klaus Maria Brandauer's Largo was "neurotic, vulnerable ... i of the nearly complex of Bail's foes"[74] and that Barbara Carrera and Kim Basinger "make lasting impressions."[74] Peary also wrote that the "film is exotic, well acted, and stylishly directed ... It would be one of the best Bail films if the finale weren't disappointing. When will filmmakers realize that underwater fight scenes don't work because viewers usually tin can't tell the hero and villain apart and they know doubles are being used?"[74]

Legacy [edit]

Originally Never Say Never Over again was intended to start a serial of Bond films produced by Schwartzman and starring Connery every bit James Bond, with McClory announcing the adjacent planned film S.P.E.C.T.R.E in a February 1984 event of Screen International.[75] When Connery announced that he would non reprise his role as Bond in another movie produced by Schwartzman three weeks before the deadline to purchase the rights to another film for $5 million, Schwartzman said that he was unlikely to brand some other motion picture without a deal from MGM/UA and Danjaq.[48] [76]

In the 1990s, McClory appear plans to brand some other accommodation of the Thunderball story starring Timothy Dalton entitled Warhead 2000 AD, just the film was somewhen scrapped.[77] In 1997 Sony Pictures acquired McClory'due south rights for an undisclosed amount,[4] and subsequently announced that information technology intended to make a series of Bond films, as the company also held the rights to Casino Royale.[78] This move prompted a round of litigation from MGM, which was settled out-of-court, forcing Sony to give up all claims on Bail; McClory still claimed he would proceed with another Bond film,[79] and continued his case against MGM and Danjaq;[lxxx] On 27 August 2001 the court rejected McClory'south suit.[81] McClory died in 2006;[77] MGM'due south acquisition of the rights to Casino Royale finally allowed Eon Productions to make a serious, non-satirical movie accommodation of that novel the aforementioned yr with Daniel Craig every bit James Bond. Ultimately, McClory's heirs sold the Thunderball rights to Eon, allowing the company to reintroduce Blofeld to the Eon series in the picture Spectre.

On 4 December 1997, MGM appear that the company had purchased the rights to Never Say Never Once again from Schwartzman's visitor Taliafilm.[82] [83] The visitor has since handled the release of both the DVD and Blu-ray editions of the picture show.[84] [52]

See also [edit]

  • Outline of James Bond

References [edit]

  1. ^ "Never Say Never Again (1983)". BBFC . Retrieved 13 June 2021.
  2. ^ a b "Never Say Never Again". Box Office Mojo . Retrieved twenty September 2019.
  3. ^ a b Pfeiffer & Worrall 1998, p. 213.
  4. ^ a b c Poliakoff, Keith (2000). "License to Copyright – The Ongoing Dispute Over the Buying of James Bond" (PDF). Cardozo Arts & Entertainment Law Periodical. Benjamin North. Cardozo School of Law. eighteen: 387–436. Archived from the original (PDF) on 31 March 2012. Retrieved 3 September 2011.
  5. ^ a b Chancellor 2005, p. 226.
  6. ^ Macintyre 2008, p. 198.
  7. ^ Macintyre 2008, p. 199.
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Bibliography [edit]

  • Barnes, Alan; Hearn, Marcus (2001). Kiss Buss Bang! Bang!: the Unofficial James Bail Flick Companion. Batsford Books. ISBN978-0-7134-8182-2.
  • Benson, Raymond (1988). The James Bond Bedside Companion. London: Boxtree Ltd. ISBN1-85283-234-seven.
  • Black, Jeremy (2004). Britain Since the Seventies: Politics and Lodge in the Consumer Age. Guilford: Biddles Ltd. ISBN978-1-86189-201-0.
  • Blackness, Jeremy (2005). The Politics of James Bond: from Fleming'southward Novel to the Large Screen . University of Nebraska Press. ISBN978-0-8032-6240-9.
  • Burlingame, Jon (2012). The Music of James Bond. Oxford: Oxford Academy Press. ISBN978-0-xix-986330-3.
  • Chancellor, Henry (2005). James Bail: The Man and His Earth. London: John Murray. ISBN978-0-7195-6815-2.
  • Chapman, James (2009). Licence to Thrill: A Cultural History of the James Bond Films. New York: I.B. Tauris. ISBN978-1-84511-515-9.
  • Lindner, Christoph (2003). The James Bond Phenomenon: a Disquisitional Reader. Manchester University Press. ISBN978-0-7190-6541-5.
  • Macintyre, Ben (2008). For Yours Eyes Only. London: Bloomsbury Publishing. ISBN978-0-7475-9527-4.
  • Mankiewicz, Tom; Crane, Robert (2012). My Life as a Mankiewicz. Lexington, KY: University Press of Kentucky. ISBN978-0-8131-3605-9.
  • Peary, Danny (1986). Guide for the Film Fanatic. Simon & Schuster. ISBN978-0-671-61081-4.
  • Pfeiffer, Lee; Worrall, Dave (1998). The Essential Bail. London: Boxtree Ltd. ISBN978-0-7522-2477-0.
  • Pratt, Douglas (2005). Doug Pratt'due south DVD: Movies, Tv, Music, Art, Developed, and More than!. London: UNET ii Corporation. ISBN978-one-932916-01-0.
  • Reeves, Tony (2001). The Worldwide Guide to Movie Locations . Chicago: A Cappella. ISBN978-1-55652-432-5.
  • Smith, Jim (2002). Bond Films . London: Virgin Books. ISBN978-0-7535-0709-4.

External links [edit]

  • Never Say Never Again at IMDb
  • Never Say Never Again at AllMovie
  • Never Say Never Again at Rotten Tomatoes
  • Never Say Never Again at Box Part Mojo
  • Never Say Never Again at Metro-Goldwyn-Mayer

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